Rosemary Kirstein

You remember Mary Alexandra Agner, right?  I’ve mentioned her before:  Science writer and poet — I signed up as a buck-a-month patron of hers on Patreon. 

Mary sent out an email recently to her Patreon patrons, alerting us to the fact that she had two poems in the January issue of The Cascadia Subduction Zone.   CSZ is a print-form (as opposed to online) literary quarterly, with reviews and essays and poems, with a particular interest in the works of women writers.  Although the physical version costs physical money, CSZ is nice enough to put PDF copies online for free, six months after the original publication.

So naturally, I clicked over and started scrolling down to find Mary’s poems.  But before I got there:  a review of the Steerswoman series, by none other than SFF author Kate Elliot.

Not to keep you in suspense: she likes it!

I found it a really interesting analysis, bringing up aspects I hadn’t thought of before, while highlighting some of the things that I especially do try to accomplish with the series.   I’m so pleased.   Kate is an intelligent, deep-thinking person.  I was most recently impressed with her one-person presentation at Worldcon this year on Narrative Structure and Expectation (alas, I came in late, about when she was talking about the example of modern society’s ingrained expectations of what Cleopatra was like, as opposed to what she was really like…).

So, surprise!  A review  I didn’t know about.   You can pop over and read it, and take a look at Mary’s poems, as well.    (Kate is page 6, Mary is page 15.)

This was the first Worldcon I’ve gone to in — wait while I look it up — Yikes, 11 years.  The last one I attended was Noreascon  4 in Boston in 2004.  (Plenty of other smaller conventions between now and then, of course.)

I wasn’t able to wrangle any spots on the program this year, so I was in pure attendee mode.  Yes, entertain and inspire me, pros!   I’ll sit right here.

One thing I was looking forward to was the readings.

I heard Pat Cadigan, who I’ve been following on Facebook lately.   She’s doing the whole cancer-treatment deal, so of course there’s a certain amount of fellow-feeling on my part.  She looked amazingly good!  And from her posts, it seems she’s doing a lot, so I think she has a lot more energy than I did during my treatment.   Or a lot more feisty-ness, at least.   I quite enjoyed her story “Cancer Dancer,” a fantasy in which A Way Out is offered…  They put her in the Big Room, expecting a big crowd, and there were a good number of people there.  Oh, and did I mention: She won a Hugo this year (Correction: No, that was two years ago — I don’t know why I mixed that up, I was right in the audience this year watching her as she accepted a Hugo on behalf of Thomas Olde Heuvelt, who couldn’t be there, for his novelette, “The Day The World Turned Upside-Down.”  Thanks for catching my mistake, Pat!)

I also heard John Scalzi, the first time I’ve ever been in his audience, I think.  This is a guy who’s a real natural onstage.   There was a story, some general audience interaction, a little ukulele (at a fan’s request), a phone call from his wife,  all good fun.  The story was an not-yet-published urban fantasy, and was quite a neat idea.   About it, Scalzi said (quoting from memory here): “When most writers do urban fantasy, they do chain-smoking elves.  I do actuarial tables.”

I heard Jo Walton do a bit from her upcoming book, Neccessity, the third of her  books based on Plato’s republic.  No spoilers, sorry!   But I did so like the character in the section she read.  He has, shall we say,  a unique point of view.  Also, Socrates was present, so of course: dialog!

I’ve known E.C. Ambrose (alias Elaine Isaak) for ages, and yet this was the first time I’d ever heard her read.   She read a section from a prequel to her Dark Apostle series, and when she was done, I said, out loud, before any applause: “Wow!”   It was quite exciting!  Elaine  reads really well, and the prose was strong, the characters were very clear, the scenes were filled with tension, and later, action –  really a good performance of good work.

I was also looking forward to Daryl Gregory’s reading — you know how I much I like his stuff.

Daryl Gregory’s reading. Not shown: Daryl Gregory

We were there!  He was not.

I used Twitter to good effect, tweeting him the photo above, captioned: “@darylwriterguy Daryl Gregory where RU? (snf).”  Sabine commented that perhaps he hadn’t recovered from the Afterparty (a name of one of his books, how do you not know that?).   A fan nearby overheard her and tweeted to Gregory: “There was too much Pandemonium at the Afterparty, so @darylwriterguy missed his reading but We Are All Completely Fine.”   Shortly thereafter, Gregory scurried in, all apologies.  He had mixed up the times on his reading and the one after (Jack Skillingstead, who was sitting right there in the audience with us).  There was no time left to read, but Gregory proceeded to charm us, and amuse us and gave away some books.  It worked!  He’s a hard guy not to like.

And since we were right there, we just stayed for Jack Skillingstead‘s reading.  I had never read anything of his before, and it was quite worth hearing.  I might look him up now.

I’ve been reading Kay Kenyon lately — Sabine recently turned me on to her stuff, and I quite enjoy what I’ve read so far.   So, we caught her reading as well.   The excerpt she read didn’t quite grab me — but I’m definitely going to keep digging in to her work.

But for me, star of the show: Ada Palmer, who read from her upcoming first novel Too Like the Lightning, a story set centuries from now, but told with the tone and style and language of an 18th-century memoir.   It sounds like it should be a gimmick, but it’s not –  it’s a brilliant move, and the execution was spot-on.  I was utterly fascinated, and then frustrated that it won’t be released until next year!  I shall pre-order, needless to say.

Well, you wanted to hear about more than the readings, didn’t you?  But alas: out of time!   I’ll  talk about the other stuff later…

If you wanted an update on the whole Hugo awards vs. Puppies business — there are plenty of sources.  You don’t need me to repeat it right?

If you don’t know what I’m talking about there, here’s an article in the Chicago Tribune on the subject.

Also, you can watch the streaming of the whole ceremony at this link.